Most of my reflections will remain similar to the ones written down in the previous one, but I will add a few extra remarks about the rework here.
Demonstration of technical and visual skills
In the rework I have channelled my ideas around the constructed photographs. I have explored more options to work towards a consistent narrative and feel that I have succeeded in that. I realise that I need to get a shutter release, because to take these images took a lot of running back and forth between the scene and the camera! While writing this down I have at least two more ideas of photographs that would go well in this set. Maybe I’ll add them while working on assignment 6.
Quality of outcome
The quality of the images that I have added to the new pdf are in par with the images that I had taken before. Because I photographed in the dark, some images have some noise and sharpness issues, but I have been able to get rid of most of it in post processing.
Demonstration of creativity
When challenged to take more images in a same style, I noticed that I started looking different at locations and ways to photograph. Even though I felt that I had tapped into new channels of creativity when working on the earlier version, this going deeper into a certain style triggers a more profound necessity to be creative, which was good to experience.
Only after I had made the images and looked at them as a set, I realised that they all portray a certain kind of longing and isolation. With having the same theme throughout the work, there is a deeper thematic and narrative to the set that wasn’t there in the earlier work. I find that this reword is more embedded in the reconstructed photography genre and has a more poetical feel than my earlier work.
I still doubt whether you can define this as documentary photography, but maybe it shows that the margin is very broad and there is room for creativity in documenting a certain emotion or state of being.
“The feelings that hurt most, the emotions that sting most, are those that are absurd – The longing for impossible things, precisely because they are impossible; nostalgia for what never was; the desire for what could have been; regret over not being someone else; dissatisfaction with the world’s existence. All these half-tones of the soul’s consciousness create in us a painful landscape, an eternal sunset of what we are.” – Fernando Pessoa
Whether a person is happy, successful in life or not, I believe everybody has an internal personal space that stores doubts, regrets and a longing for an other time and place. When I go to this space, I mainly feel a sense of grief over friendships lost because of my nomadic life, careers that never happened and relationships that did not turn out the way I would have liked them too. There is no trauma, nor extreme pain, but a nagging discomfort.
I don’t think it is very wise to get stuck here, it is the shadowy side of ourselves, with no getting out or finding relief. Still, sometimes I like to allow myself to let my thoughts flow freely and feel all alone, thrown back to who I am.
The images in this PDF all represent the act of being in that place, excluding oneself from reality, escaping from the every day hassles of life and people that want your attention. It may trigger feelings of recognition and maybe pain. However, there are options to escape; to dive in the pool, open the gate and run away. To not stay where you are, but go back in the light and face reality.
“Fernando Pessoa Quotes (Author Of The Book Of Disquiet)”. Goodreads.com. N.p., 2017. Web. 29 Apr. 2017.
After the Google Hangout with my tutor and reading his report, I set out to work on making the changes he suggested and create a narrative in the style of the images he found most striking. Of all tutors, Russell has been most directive in what kind of changes I should make and what works and what doesn’t. I have to get used to this and find myself doubting if this is what I would have actually done myself. But I have to say I do feel really challenged to push myself, look for other possibilities and be more creative. I think this has worked in the images I have added to the narrative.
Again, it took sometime to get the tone and idea clear in the layout. I have decided on a very clean and simple layout, which has the effect I am looking for. The images are all a bit dark and reminded me of a person who is longing for something. So I looked up some quotes of which I think that they will enforce the narrative in the images and I think that it adds an extra layer of understanding to the story.
On the other hand, I might be taking away some of the personal interpretation of the viewer, but I always like to read captions and ideas that come with images, so I think this is okay.
Again, it took about three different versions before I was kind of happy with the result:
As you can see, I have changed a few photos in the process as well. This was because I think the image below adds to the variety of images and has a better quality. My tutor had suggested that I take the photo again, this time looking through the window, but I realise there actually are already quite a few where I am looking through a window, so decided to stay with this one.